17/35
I travel quite extensively
Story
The spirits of a deceased couple are harassed by an unbearable family that has moved into their home, and hire a malicious spirit to drive them out.. This is Michael Keaton's favorite film of his own.. Otho's shoes as he walks through the bathroom and then they change back to the red elf shoes as he enters the next room.. Adam : What are your qualifications?Beetlejuice: Ah. Well… I attended Juilliard… I’m a graduate of the Harvard business school. I lived through the Black Plague and had a pretty good time during that.
NOW WHAU THINK?
I’ve seen the EXORCIST about a hundred and sixty-seven times, and it keeps getting FUNNIER EVERY SINGLE TIME I’VE SEEN IT… NOT TO MENTION THE FACT THAT YOU’RE TALKING TO A DEAD GUY DO… You think I’m qualified?. The Geffen Company logo is accompanied by a ghoulish version of the Banana Boat song (sung by the film's composer Danny Elfman).. A workprint of the film surfaced with some added/alternate scenes. This version of the film runs around 2 minutes shorter than the theater release, has a few extra scenes and is missing some others, is in black and white, and has a time-code on the bottom.
Instead of a desert he sees empty darkness filled with rolling cogs
This version has 4 major differences: Alternate scene: The scene were Adam attempts to leave the house after him and his wife die is different. Extra Scenes: There is an added scene were Lydia is developing the pictures she took of Adam and Barbra. Then after her mother yells at her and blames her for cutting holes in her sheets Lydia runs upstairs and tries to convince her dad the pictures are real. There is more to the scene where the adults search the attic for the ghosts were we see the desert monster trying to eat Adam and Barbra as they hang from the attic window. Finally there is an extra 2 minute scene at the end were we see Lydia riding her bike home from school and her parents talking to Jane on the phone telling her they do not want to sell the house. Lydia's dancing scene is shorter in this version, and there is no scene with Beetlejuice in the waiting room.
Edited into Terror Toons (2002)
The film ends with a final exterior shot of the house.. Day-OTraditional, lyrics by William A. Attaway and Irving Burgie[Incorrectly credited as written by William A. Attaway & Irving Burgie (as Lord Burgess)]Performed by Harry BelafonteCourtesy of RCA Records. Watching this one more time on TV yesterday reminded me of the first time I saw it all those years ago at the movies when Tim Burton was just the guy who directed that funny Pee-wee Herman movie. Walking into the 'Beetlejuice' then, without knowing anything about it, was an amazing experience.
Everything about it is perfect
Along with 'Blade Runner', 'Blue Velvet', 'Videodrome', 'Brazil', 'Paris, Texas' , 'The Terminator' and 'Repo Man' it was one of the most astonishing and memorable movies of the 1980s, an era dominated by Hollywood dreck like 'Flashdance', 'Top Gun', and 'Footloose'. The whole Bruckheimer/Simpson/Spielberg/Hughes zeitgeist that dumbed down popular movies as never before. Movies like 'Beetlejuice' were a glimmer of hope in a truly awful period.The big question is – how does it stand up today? The answer is better than ever! In fact I would argue that 'Beetlejuice' is Tim Burton's most successful and least compromised film. A great cast lead by the very appealing and likable Alec Baldwin and Geena Davis as the newly dead Maitlands, a star turn by Michael Keaton as the gonzo "bio-exorcist" title character, and strong support from Jeffrey Jones, Catherine O'Hara, and especially Winona Ryder (a performance that really put her on the map), as the new occupants of the Maitlands house.